Night Photography can be very intriguing. You cannot just think of clicking photographs in the night under normal circumstances. A lot of factors come into play and influence the photographs. During nights the most important aspects of photography are focus, weight, image quality and the price of the lens. The lens that offers all these qualities automatically qualifies as the ideal choice for night photography. The Nikon Telephoto Lens and the Canon Wide Angle Lens do the needful to qualify.
The reason why both the Nikon Telephoto Lens and the Canon Wide Angle Lens qualify is because of the variety available. The AF-SDX 35mm f/1.8G, AF Nikkor 50mm f/1.8D Autofocus and the 2180 AF-S NIKKOR 50mm f/1.4G are three fine examples from Nikon. All these have been categorized under the Nikon Telephoto Lens and have shown their capacity to produce visually appealing images during the nights. The ambience might be dark and the light dim, but these lenses get to work quickly and show why they are top preference. They have a good focal length, curvature, and aperture and produce good snaps.
If Nikon has these to boast of, then Canon too is not far behind. The 24-105mm f/4L IS USM EF, EF-S 15-85mm f/3.5-5.6 IS USM UD Wide Angle Zoom and the EF 28-135mm f/3.5-5.6 IS USM are Canon masterpieces that have been made for night photography. During nights, whether artificial light is available or not, these lenses show competence in taking clear photographs. They are the finest Canon Wide Angle Lenses that have been produced so far with a proven track record of doing well during nights.
These are the perfect examples of the lenses used during nights for photography. The photographs taken through these are neither blurred nor distorted. They are as apparent as they can ever be. Once the photographer puts them inside his camera and starts using them, issues such as picture quality and image stability which are otherwise very important seem very petty.
The nights do not have the good fortune of broad daylight. Hence, the lenses in the camera have to be so strong that absence of light gets compensated for. Distorted lenses lack clarity. The images come blurred, and the darkness sets it up for a double whammy. This can really become frustrating for the photographer, for he has to put in twice the effort during nights. These lenses do not let that happen, and give the photographer a reason to cheer for.
Laying focus during nights is not that easy. Same goes for establishing stability and ensuring texture. All these things only fall into place when the lens itself has something special to offer. The features that have been talked about above have to be there in the lenses to get good pictures. Their absence is bad news and will leave the photographer in dismay. These are the most ideal lenses that fit the bill for good night photography. There are plenty of artists vouching for their efficiency, reason enough for usage.
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